Thesis Proposal writing service，Thesis Proposal代写
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开题报告范文：Thesis Proposal sample
题目：Post-colonial Feminist Reading of Wide Sargasso Sea
1、主要论点：
Thesis statement:
In the light of Gayatri Chakravorty Spivak’s theory about post-colonial feminism, this thesis analyzes those black women and white Creoles who are under “double oppression” of race and gender in Jean Rhys’s Wide Sargasso Sea and shows their failure in their attempts to beak silence and to obtain the identity. In doing so, the thesis hopes to conclude that it is a difficult journey for those women in third world to get equal status.
2、文献综述、主要内容、研究方法、难点重点：
Literature Review:
Wide Sargasso Sea, as Jean Rhys’s fifth and last novel, is her culminating work. Though viewed as a prequel of Jane Eyre, Wide Sargasso Sea is quite independent and exists in its own right.
With the publication of Wide Sargasso Sea, many critics have studied Jean Rhys and her works. They criticized Wide Sargasso Sea mainly from the archetypal criticism, psychoanalysis, feminism and post-colonialism. For example, Wally Look Lai, V.S. Naipaul, John Hearne and Louis James, saw it as an “‘audacious metaphor’ for the West Indian predicament with its tragic inheritance of colonialism”. Teresa F. O’Conner detected the West Indian elements of Wide Sargasso Sea that explicitly dealt with the Dominican experience. Kenneth Ramchand considered Wide Sargasso Sea as a novel that explored the historical trauma of the white Creoles in the evolving Caribbean society. Ramchand commented that the white Creole novel expressed a “terrified consciousness” in which the white minorities facing a “terrifying future” in the liberated ex-colonies, without states or power in the face of hostility of majority. Hanne Neilson and Flemming Brahms indicated three main “strata” in Wide Sargasso Sea—the Creole, the Afro-Caribbean and the newcomers. They remarked the infrastructure of the book was a myth—the myth of the phoenix destroyed itself to be recreated.
Main content:
Except for introduction and conclusion, this thesis mainly includes three parts. In the first part, the histories of postcolonial criticism and feminism have been simply put first. Then, the theory of Spivak is introduced in detail. And last, those women who are under “double oppression” are analyzed. In the second part, how the black women’s attempts to break the silence situation and their failure ending is exhibited. In the third part, how the Creole women’s strategies of relocating the identity and their failure ending is exempted. In the conclusion part, the thesis hopes to conclude that it’s a difficult journey for those women in third world countries to get equal status through the argumentation of the previous three parts.
Theoretical basis:
Gayatri Chakravorty Spivak: Post-colonial Feminist Criticism
Post-colonial feminist criticism holds the viewpoint that females were often subjected to what has been called a ‘double oppression' , that is, they were discriminated against not only for their position as colonized people but also as women. They must fight against sexual discrimination as well as colonialism and racialism. Spivak is the first scholar who combines postcolonial criticism and feminism while blending Marxism, feminism, and deconstruction together.
Can the Subaltern Speak?
Spivak's contribution with "Can the Subaltern Speak" is to politicize Derridean deconstruction. In this essay, Spivak emphasizes the fact that representation is a sort of speech act, with a speaker and a listener. Often, the subaltern makes an attempt at self-representation, perhaps a representation that falls outside the lines laid down by the official institutional structures of representation. Yet, this act of representation is not heard. It is not recognized by the listener, perhaps because it does not fit in with what is expected of the representation. Therefore, representation by subaltern individuals is impossible.
Spivak set the Indian word “sati” as the example. Sati is understood by the British as "white men saving brown women from brown men," but the Indian natives argued it means "the women actually wanted to die." However, between the two explains, the women’s willing haven’t been expressed. The females live in the colonized society must undertake the oppression form patriarchy and imperialism and haven’t the right to voice.
Three Women's Texts and a Critique of Imperialism
This book is an analysis of Emily Bronte's Jane Eyre, Jean Rhys' Wide Sargasso Sea, and Mary Shelley's Frankenstein. In the essay, Gayatri Spivak suggests that “the literatures of the European colonizing cultures of the great age of imperialism” produce narratives that serve to obscure the “worlding” of the Third World. Literary representation of that period depicted the “native” as domesticated and contained within the First World. However, the Third World is actually a discursive production, which enables and facilitates the project of imperialism.
According to Spivak, Bronte's novel may well uphold its protagonist as a new feminist ideal, but it does so at the expense of Bertha, Rochester's Creole bride who functions as a colonial subject of "other" to legitimate Jane's position of “family in law”. In this essay, Spivak gave Bertha Mason more humane analysis which totally different from the former feminism critics.
Difficulties:
The details of outline
The conclusion part
3、写作提纲和主要参考文献：
Outline:
Introduction
The Life and Works of Jean Rhys
Wide Sargasso Sea and Its Literature Review
Theoretical Basis
The Central Argument of the Thesis
The Structure of the Thesis
ChapterⅠ The Women Under“Double Oppression”
1.1 The Female Aphasia of Black Women
1.1.1 Aphasia from the Patriarchal Society
1.1.2 Aphasia in the West-centered Discourse
1.2 The Awkward Plight of Creole Women
1.2.1 The Plight within the Native Community
1.2.2 The Plight beyond the Native Community
ChapterⅡ The Black Women’s Failure to Break Silence
2.1 The Possibility to Break the Silence
2.1.1 The Social Background
2.1.2 The Emancipation
2.2 Attempts to Break Silence
2.2.1 Active Confrontation
2.2.2 Control of Money
2.3 Failure Ending
Unfortunate Fate
ChapterⅢ: The White Creoles’ Failure to Obtain Identity
3.1 The Identity Crisis－Displacement
3.1.1 The Historical Originality of Creoles
3.1.2 Displacement as Native
3.1.3 Displacement as Whites
3.2 Attempts to Obtain Identity
3.2.1 Culture Heritage
3.2.2 Violent Revenge
3.3 Failure Ending
Death as Destination
Conclusion
Summary: A Difficult Journey to Get Equal Status
Significance of This Thesis
Tentative List of References:
1. Angier, Carole. Jean Rhys: Life and Work. Boston: Little, Brown and Company, 1990.
2. Ashcroft, Bill, Gareth Griffiths and Helen Tiffin. The Empire Writes Back: The Theory and Practice in Postcolonial Literatures. London: Routledge, 1989.
3. Bigelow, John. Jamaica in 1850: Or the Effects of Sixteen Years of Freedom on Slave Colony. Westport: Negro University Press, 1970.
4. Bronte, Charlotte. Jane Eyre. Ed. Beth Newman. Boston: St. Martin's Press, 1996.
5. Cundall, Frank. Historic Jamaica. New York: Johnson Reprint Corporation, 1971.
6. Dalton, Elizabeth. "Sex and race in Wide Sargasso Sea" Partisan Review. Boston: Summer 2000.Vol.67.
7. Elleke Boehmer, Colonial and Postcolonial Literature Oxford: Oxford University Press1995.
8. Emery, Mary Lou. Jean Rhys at "World's End": Novels of Colonial and Sexual Exile. Austin: University of Texas Press, 1990.
9. Gregg, Veronica Marie. Jean Rhys's Historical imagination: Reading and Writing the Creole. Chapel Hill: University of North Carolina Press, 1995.
10. Howell, Coral Ann. Jean Rhys. New York: St. Martin's Press, 1991.
11. Johnson, Freya. "The Male Gaze and the Struggle against Patriarchy in Jane Eyre and Wide Sargasso Sea." Jean Rhys Review. 5.1-2, 1992.
12. Kendrick, Robert. "Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea." Papers on Language and Literature 30.3, 1994.
13. Nebeker, Helen, Jean Rhys: Woman in Passage. Montreal: Eden Press Women's Publications, 1981.
14. Nixon, Nicola. "Wide Sargasso Sea and Jean Rhys's Interrogation of the 'nature wholly alien' in Jane Eyre." Essays in Literature.
15. O'Connor, Teresa. Jean Rhys: The West Indian Novels. New York: New York Press, 1986.
16. Said, Edward W. Orientalism, London: Routledge. 1978.
17. Showalter, Elaine. A Literature of Their. Own: British Women Novelists from Bronte to Lessing. Princeton: Princeton University Press, 1977
18. Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of Imperialism", Critical Inquiry 12.1, 1985.
19. Stemlicht, Sanford. Jean Rhys [M]. New York: Twayne Publishers, 1997.
20 Wyndham, Francis and Diana Melly, Eds. The Letters of Jean Rhys. New York: Viking Penguin, 1984.
21. 艾勒克"博埃默. 《殖民与后殖民文学》[M]. 盛宁，韩敏中译. 沈阳:辽宁教育出版社. 1995.
22. 简"里斯.《藻海无边》[M]. 陈良廷，刘文澜译.上海:上海译文出版社，2001.
23. 向晓红. 透过《藻海无边》看《简爱》[J]. 西南民族学院学报,1999, 3(2).
24. 曾莉. 后殖民语境中的解构与回归[J]. 四川外语学院学报, 2001, 9(5).
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